Prepare to be captivated—and perhaps even disturbed—by a performance that redefines the line between brilliance and villainy. Ben Daniels’ portrayal of Gregor in Man and Boy at the National Theatre’s Dorfman Theatre is nothing short of a vile triumph, a masterclass in grotesque humanity that leaves audiences both mesmerized and unsettled. But here’s where it gets controversial: Is it possible to admire a character so morally bankrupt? And this is the part most people miss—Daniels doesn’t just play a ruthless financier; he embodies the very essence of greed, ambition, and moral decay, turning a rarely revived Rattigan play into a searing commentary on modern society.
In this production, Daniels delivers a performance that is as unsettling as it is unforgettable. His Gregor is a magnificent monster, a term that perfectly encapsulates the duality of his character—repulsive in his actions, yet mesmerizing in his execution. The Stage’s review hails it as a masterpiece of grotesquerie, and it’s easy to see why. Daniels’ ability to humanize Gregor’s flaws while never excusing them is a tightrope walk that few actors could pull off with such finesse.
For theatre enthusiasts, this revival is a rare gem. Rattigan’s work, though not frequently staged, offers a sharp critique of capitalism and morality that feels eerily relevant today. But here’s the bold question: Does Gregor’s character serve as a mirror to our own society, or is he simply a relic of a bygone era? This is where the play sparks debate, inviting audiences to reflect on their own values and the systems they navigate.
If you’re serious about theatre, this is a production you won’t want to miss. And if you’re already a subscriber to The Stage, you’re in luck—their coverage goes beyond the surface, offering insights from industry leaders like Lyn Gardner and Amanda Parker. Not a subscriber? For just £7.99, you can unlock unlimited access to award-winning journalism, over 1,000 reviews, breaking news, and exclusive discounts to theatre events. It’s an investment in your passion for the arts—and who knows? You might just find yourself debating Gregor’s legacy in the comments section.
So, what’s your take? Is Gregor a villain we love to hate, or a reflection of the world we’ve built? Let’s hear it—agree or disagree, the conversation starts here.
