Get ready to be moved—the world stopped on September 11, 2001, but hope began on September 12 in a tiny Newfoundland town. Now, Paper Mill Playhouse is bringing that powerful story to life with an exclusive reimagined production of the Tony Award-winning musical Come From Away. But here's where it gets even more captivating: this version features actors playing instruments live onstage, adding a layer of authenticity that’ll leave you breathless. Performances kick off on Wednesday, February 4, with the official opening night on Sunday, February 8, running through Sunday, March 1, at 22 Brookside Drive, Millburn, NJ. And this is the part most people miss—it’s not just a show; it’s a celebration of humanity, friendship, and resilience, inspired by the true story of 7,000 stranded airplane passengers who found family in strangers.
Directed and choreographed by Richard J. Hinds, this production boasts a stellar cast, including Jeannette Bayardelle (Girl from the North Country, & Juliet) as Beverley/Annette, Andréa Burns (The Notebook, In the Heights) as Diane, and James Moye (Bull Durham, Tootsie) as Claude, among others. Each actor brings their own instrument to the stage, blending music and storytelling in a way that’s both intimate and electrifying. But here’s the controversial part: does this live musical element enhance the story, or does it risk overshadowing the emotional core? We’ll let you decide.
The creative team behind this production is equally impressive, with Sam Groisser leading music direction, Nate Bertone crafting the scenic design, and Michelle J. Li bringing characters to life through costume design. Together, they’ve created a world that feels both timeless and urgent, a reminder of how communities can rise in the face of crisis. The show’s book, music, and lyrics by Irene Sankoff and David Hein are filled with heart, humor, and a spirited score that’ll have you tapping your feet one moment and wiping away tears the next.
During the run, Paper Mill Playhouse is hosting special events you won’t want to miss. On February 7, meet the real people whose stories inspired the characters in a post-show Q&A. On February 21, dive deeper with the cast themselves. And on February 25, students get their chance to ask questions after a special matinee. But here’s the question we’re all thinking: in a world still healing from division, can a musical truly bridge the gaps between us?
This production is made possible by generous sponsors, including Arline and Jim Cox as Marquee Sponsors and The GenWealth Group as Opening Night Sponsor. Accessibility programs are supported by The Blanche and Irving Laurie Foundation, Fund for the New Jersey Blind, and the Michael J. Kosloski Foundation, ensuring everyone can experience this transformative story. Major funding for Autism-friendly programs comes from the National Endowment for the Arts, with additional support from the Karma Foundation and Orange Orphan Society. The Hearst Foundations serve as Paper Mill’s Education & Outreach Partner, helping to bring theater to even more communities.
So, what do you think? Can a musical about kindness and connection still resonate in today’s world? Let us know in the comments—we’re all ears. And don’t forget to check out the exclusive first-look photos by Jeremy Daniel to get a sneak peek at this unforgettable production.
